PLANK sent me a selection of their furniture and asked me to make something with it. It’s wonderful to have the opportunity of freedom from clients. My nephew Manuel was up fo assisting me, so we locked ourselves (this was before lock-down 🙂 into the studio for 2 weeks and started throwing ping pong balls.

Our main rule was: ALL IN CAMERA! NO FAKE!
It only took 2000+ attempts. Hope you enjoy!

Direction & Music: Lucas Zanotto
Assistant: Manuel Markart

Client: Plank

Thanks to:
Martin Rattini


Singapore Rediscovers

Look around you with a new perspective and you’ll find magic just right around the corner.

Directed by Fernando Livschitz



Director’s cut visuals.
Version edited with the music from the amazing Reuben and the Dark x AG.

Directed by Fernando Livschitz

Thanks to all these talented people

Nelson Clerici
Iara Mijalovsky
Majo Tabares
Virginia Palacios
Guido Ferraro
Nicolás Holodovsky
Nahuel Alvarez
David Bohorquez
Mario Pablo
Julián Coutada
Ludmila Rodriguez Moreno
Silvina Lesa Brown
Alfredo Amoedo



The ultimate full moon shot. Dean Potter walks a highline at Cathedral Peak as the sun sets and the moon rises. Shot from over 1 mile away with a Canon 800mm and 2X by Mikey Schaefer.

This shot was part of a bigger project for National Geographic called The Man Who Can Fly.

Directed by Mikey Schaefer…
Produced by Bryan Smith
Concept by Dean Potter

Slate – By Wil Bolton
From the Album: Time Lapse on Hibernate Recordings
Licensed through: Audiomoves –



This is my animation Thesis Film done during my time at the Academy of Art University 2010. 🙂

Bridge is a story about four animal characters trying to cross a bridge, but ending up as obstacles to one another in the process. The moral behind this story revolves around how there are often disagreements or competing paths in life, and the possible results of pride, obstinance, and compromise.

Music by Greg Gauba.

Note: I noticed some websites have been featuring my work around, I am grateful for it. I also appreciate all feedbacks, critiques and comments! But some websites have mistaken that I worked for Pixar, which is a misunderstanding and it is not true. I just wish to correct that. : )


Portal: Terminal Velocity

My interpretation of what a real Portal gun would be like if one existed. Based on the video game, Portal. I tried to match the game as close as possible. This was the most challenging project I have ever undertaken, consisting of 3D tracking, seamless camera cuts and 3D camera projection. ENJOY! The Visual Effects.
Can’t view it on Vimeo watch it on Youtube:

For those of you that think the gun is a physical prop you can buy, well…..sorry to break the news to you, but it’s entirely CG. The 3D Portal gun was replacing/covering up a painted up coffee can with tracking markers. Here’s a 3D turntable of the model,

For everyone that wants to know the song used: Snakes On The Take –

Software Used:
Autodesk Maya – Modeling/ lighting
Zbrush – Texturing
PFTrack – 3D tracking
After Effects – to composite
HDR shop – to capture High Dynamic Range images for 3D lighting/ Refections
Trapcode Particular – for particles


Yosemite HD

This video is a collaboration between Sheldon Neill and Colin Delehanty. All timelapses were shot on the Canon 5D Mark II with a variety of Canon L and Zeiss CP.2 Lenses.

Project Yosemite Website:
Facebook Page:
Contact info:

Our hearts go out to the families of Markus Praxmarer who lost his life while climbing Half Dome on September 19th, 2011 and Ranger Ryan Hiller, who was crushed by a tree January 22nd 2012. They will be missed.