Liked on YouTube: So endet Corona

Wann können wir uns wieder in knallvollen Bars in den Armen liegen und laut singen?
Ein wissenschaftlicher Ausblick auf das Ende der Pandemie – und das Leben danach.

INHALT

0:00 Intro
0:58 Herdenimmunität revisited
4:51 It ain’t over till it’s over
6:38 Die Impfungen könnten VORERST weniger ändern als erwartet
7:36 Die Sache mit der sterilisierenden Immunität
9:57 Nach der Pandemie ist vor der Endemie
14:09 Wie ein tödliches Virus zur harmlosen Erkältung werden kann
17:08 Was “Mit Corona leben” wirklich bedeutet

maiLab wird produziert von Mai Thi Nguyen-Kim für funk (ARD & ZDF)
►funk Web-App: https://bit.ly/371ll5y
►https://bit.ly/371GKf3

QUELLEN & WEITERE INFOS
(In chronologischer Reihenfolge bezogen aufs Video)

Moonwalk

The ultimate full moon shot. Dean Potter walks a highline at Cathedral Peak as the sun sets and the moon rises. Shot from over 1 mile away with a Canon 800mm and 2X by Mikey Schaefer.

This shot was part of a bigger project for National Geographic called The Man Who Can Fly.

https://on.natgeo.com/2N8FiAp

Directed by Mikey Schaefer…https://bit.ly/3cWHJAK
Produced by Bryan Smith
Concept by Dean Potter

Music:
Slate – By Wil Bolton
From the Album: Time Lapse on Hibernate Recordings
Licensed through: Audiomoves – https://bit.ly/3a0qwEI

via https://bit.ly/36SnHDy

Bridge

This is my animation Thesis Film done during my time at the Academy of Art University 2010. 🙂

Bridge is a story about four animal characters trying to cross a bridge, but ending up as obstacles to one another in the process. The moral behind this story revolves around how there are often disagreements or competing paths in life, and the possible results of pride, obstinance, and compromise.

Music by Greg Gauba.

https://bit.ly/3aMgwxZ

Note: I noticed some websites have been featuring my work around, I am grateful for it. I also appreciate all feedbacks, critiques and comments! But some websites have mistaken that I worked for Pixar, which is a misunderstanding and it is not true. I just wish to correct that. : )

via https://bit.ly/2NazvtP

Portal: Terminal Velocity

My interpretation of what a real Portal gun would be like if one existed. Based on the video game, Portal. I tried to match the game as close as possible. This was the most challenging project I have ever undertaken, consisting of 3D tracking, seamless camera cuts and 3D camera projection. ENJOY! The Visual Effects.
Can’t view it on Vimeo watch it on Youtube: http://www.youtube.com/watch?v=AsdEXlPsobI

For those of you that think the gun is a physical prop you can buy, well…..sorry to break the news to you, but it’s entirely CG. The 3D Portal gun was replacing/covering up a painted up coffee can with tracking markers. Here’s a 3D turntable of the model, https://bit.ly/3rvBRmb

For everyone that wants to know the song used: Snakes On The Take – Freeplaymusic.com

Software Used:
Autodesk Maya – Modeling/ lighting
Zbrush – Texturing
PFTrack – 3D tracking
After Effects – to composite
HDR shop – to capture High Dynamic Range images for 3D lighting/ Refections
Trapcode Particular – for particles

via https://bit.ly/2NbKzH6